Did
your history teacher ever mention the Spenceans?
They
are up there with the Levellers, the Diggers, and the Chartists,
In
terms of historical importance and present relevance,
But
usually get just a cursory mention in the period 1815 -20,
The
‘Was Britain close to revolution?’ years of Spa Fields,
And
the 1820 Cato Street Conspiracy to murder the cabinet -
But
their forgotten, ignored or misrepresented influence
Is
seminal and needs resurrection.
Their
beliefs went far beyond
The
usual historians’ calumny and misinterpretation:
‘Hare
brained violent insurrectionaries, a minority group
Of
marginal importance, riddled with government spies’.
The
name of Thomas Spence should be mentioned in the same breath
As
William Blake, John Clare, Percy Shelley, the Luddites, the Chartists,
And
this is where the name of Allen Davenport comes in, and the village of Ewen.
One
of ten children in a handloom weaver’s cottage: ‘I was born May 1st,
1775, in the small and obscure village of Ewen … somewhat more than a mile from
the source of the Thames, on the banks of which stream stands the cottage in
which I was born … I came into existence, while the revolutionary war of
America was raging …’
He
taught himself to read by learning songs; then saving up to buy printed
versions: ‘I learnt, as most children do, a number of songs by heart, and … I
saved all my halfpence and bought up all the printed songs that I could sing,
and began with those that appeared the most easy … I proceeded to match all the
words in my printed songs, with those I had previously stored in my mind … By
this method, the eye became the pupil of the ear …’
He
taught himself to write: ‘I got hold of a written alphabet … I tried my hand at
black and white … and to my inexpressible joy I soon discovered that my writing
could be read and partially understood’.
Tired
of village life, a horseman and a patriot, he then joined the army, learnt his
shoemaking trade (cobblers were well known as radical autodidacts, btw), then
worked in Cirencester for four years, before making his way to London -
marrying Mary, a shoe-binder, in 1806, and discovering the ideas of Thomas
Spence: ‘During my stay’, the ‘man that brought our numbers [works of
poetry] brought also a book, which he said ought to be in the hands of every
Englishman ... I read the book, and immediately became an out and out Spencean.
I preached the doctrine to my shop-mates, and to everybody else… This was in
1805.
’The
revolutionary, republican notions of Spence were broadcast in a number of ways,
And it is tempting to think that this son of
Gloucestershire helped chalk
The agrarian communist slogans that appeared on London’s
pavements and walls:
‘SPENCE’S PLAN AND FULL BELLIES’
‘THE LAND IS THE PEOPLE’S FARM’
Spence also cast coins, medals or tokens,
Dispensing with the circumferential fidelities of Church
and State,
Instead:
‘If rents I once consent to pay
My Liberty is past away.’
And ‘Before the Revolution’ (an emaciated, chained
prisoner);
Feasting
and carousal on the obverse: ‘After the Revolution’;
Whilst
one token laconically proclaimed:
‘War
or Land’
(The
war being a civil one, of course).
Allen
Davenport found his voice with the inspiration of Thomas Spence,
He
wrote for ‘The Republican’, Sherwin’s Weekly
Political Register,
Penned
republican poems …
There is more to follow on later posts, as
we outline the remarkable life of Allen Davenport. But we are paying tribute to
him and his history not just through words, but also through walking.
Kel Portman from Walking the Land, Jim
Pinkney from Marah and yours truly walked from the source of the Thames to Ewen
and then on to Cricklade on Monday November 23rd. This involved 14
muddy miles but was an absolute delight.
Kel has a unique eye for a picture and the
landscape; Jim can talk for Cornwall and has a uniquely retentive memory; I know
a bit about Allen Davenport. So we were three men without a boat (though Jim
has journeyed from the Severn to the Thames in an inflatable canoe), walking
through Gloucestershire and into Wiltshire.
The train journey was notable for meeting
the Bishop of Gloucester (standard class) whilst the walk was memorable for the
way we each memorialized the walk.
Kel’s peerless photographs are elsewhere.
Jim’s commemorative stone for Allen Davenport is elsewhere (but will get to
London sometime: see below). But Jim’s enthusiasm for the haiku is recorded
below, as is Kel’s link about the walk. I don’t find writing haiku
straightforward and I know I break some conventions, even whilst following the
5,7,5 syllable structure – but Jim has a real flair for this writing.
You can see from the below that Jim can
capture a moment and an image in the landscape; my efforts are rather more
about contextualizing the walk and placing it within a narrative.
Our next walk involves the train to
Swindon; bus to Cricklade; walk from there to Lechlade; bus to Swindon; train
to Stroud. I know all you Shelley fans are already thinking about Lechlade – 2nd
Monday or Tuesday in January will be when about the next walk takes place.
More details to follow on the blog; and
more details about Allen Davenport, too.
Jim’s haiku memories:
Young November Thames
Haiku excuses
First frost on the bridge
A muddy puddle crackles
At a toe’s hushed touch
Out of the stone womb
Spring, tree guarded, dew dripping
The infant pilgrim
Autumn fall lay still
Leaf tiling the clear young Thames’
Defracted eddies
Murmur of starlings;
Not one silly syllable.
Every one counts
A buzzard spies high:
The light fades and strides quicken
For the Cheltenham train
Untrained pencil stubs
Distract the crowded carriage
Ticket scribbling
Early hours utter
Defused Haiku excuses
Jim scribbled these on to his rail ticket
on the train whilst I sent the below as an email:
When haiku hiking,
Tread syllables in rhythm,
Through footpaths’ metre.
Late November Thames:
Rhyme and rime in cold pasture
Hoar-bark frosted oak.
Meandering Thames,
Oxbow lake spindle berries,
Sluice, weir and millpond.
Where shadowed spinners,
And ghosts of hungry weavers
Point us on our way.
A Thames pilgrimage,
With a stone from Ewen Mill,
For a London grave.
Alan Davenport,
Handloom weaver's son, alone,
Learning his letters.
Pamphleteer, poet,
A Clerkenwell radical,
Cobbling his wages.
The Davenport stone:
A name that’s etched for ever,
Not writ on water.
An eldritch twilight,
Starlings flash on water glass,
By ridge-furrowed fields.
Piers Plowman nods,
Then treads the moonlight mud-scape,
Beyond Time’s dark veil.
One stage completed,
On the path to Kensal Green,
Fourteen weary miles.
Postscript from Jim on the subject of patterns in the landscape, real and/or imagined: pareidolia ... hierophany haiku ... apophenia.