My second posting on this blog will clarify what I mean by radical
history. I use the term to describe both the content and the form of the story we
intend to tell about our area’s past. The content will focus upon places in our
local landscape that have a radical history, in a sort of upside down view of
“Heritage”. Christopher Hill wrote of a world turned upside down; that is how
we intend to write of our heritage. Places and stories that are often forgotten
or ignored will be brought back to life; conventional narratives and
explanations will be questioned. I remember the excitement of reading E.P.
Thompson’s "Making of the English Working Class” on my 21st birthday
and have never forgotten his wish that the lives of ordinary people should be
rescued from “the enormous condescension of posterity.” That’s what we will be
doing in terms of places, people and posterity.
I will now address what I mean by a radical approach: this has a number
of varying meanings. One meaning is in terms of collaboration: the history that
is written will be produced by a group of people in a number of different ways,
using different media, rather than by anyone “voyaging alone on strange seas of
thought”. Secondly, our approach will go beyond the usual analysis of primary
and secondary historical sources; we shall also use imagination, together with
artistic and literary responses to both the past and the landscape. We shall boldly
go beyond the sources of evidence, as well as the split infinitive, with
lateral as well as linear thought – we shall be both Newtonian as well as
Keatsian historians. There will be, in short, a rewriting of historical
protocol.
This leads to our third emphasis:
pyschogeography. I know that many of you will be thoroughly acquainted with
this concept. I also know that many, at best, will think it a questionable
notion. I am also aware that many will not have the slightest idea what this
term implies. If it’s any consolation, I think I am probably in all three camps
most or all of the time. But this confusion may give me an advantage in
explaining this term for what teachers used to describe as “a mixed-ability
audience”; this is what I/we will do on the next posting; we will define
“pyschogeography” at some length and with some easily comprehensible detail.
The posting after that synopsis will start to apply such a psychogeographical
approach to our first choice of study: the whereabouts and meanings of our
local springs.
I have often thought there is a place for a rural psychogeography, in counterpoint to the urbanity of most p/g.
ReplyDeleteI would be interested in collective psychogeographical explorations of the Stroud back lanes and canals etc etc. I wonder if this is something the Walking the Land art group might want to overlap with too.
Just some thoughts... perhaps I will write up some of my "rural psychogeographical" meanderings next time I do any.
hi Francis
ReplyDeleteit's certainly an approach to the rural landscape that we have been using for some time and Walking the Land together with our associated artists look forward to participating in this and future projects.
Kel Portman
WtL