As we
walked out on our Laurie Lee walk,
Discussing
moments of peace and war,
In an
inter-textual - meta-textual
Wander from
Slad to Whiteway,
We tripped
through the harmony of landscape
And the
poetry of past and present cartography:
No blue
line motorways or red and yellow roads;
No pale
blue tourist signification;
No black
lines of railway tracks,
Cuttings,
embankments, viaducts or tunnels;
No red
square and circle railway stations;
No bus
stations, power lines or pylons;
Instead: footpaths,
byways and bridleways,
Past names
such as Steanbridge, Redding Wood.
Catswood,
Driftcombe Farm, High Wood,
Dillay
Brook, The Scrubs, Famish Hill,
Sydenhams,
The Camp, Calf Way, Wishanger Farm;
And all
the while whilst we walked through woodland,
The
tumbling waters of springs all around:
What
euphony there is in the vowels and consonants
That litter our landscape with their litany!
What
secrets of etymology and topography are revealed,
When we
tramp the land rather than drive the road,
When we disconnect
the sat-nav and navigate
By ancient
tracks that connect our ancient springs.
Liminal shrines: those strange, trickling gateways
To mythopoeic underworlds of mystery,
(Or Limestone, Fullers’ Earth and Cotteswold Sands),
Quicksilver mercurial alchemy,
A continuous flow of constant change,
One sip of which will switch your sense of time
(Drinking rainwater that dropped who knows when),
Like star-shine from ancient constellations,
A laughing trick all that slakes and comforts,
Yet mocks the tension of the present tense,
A spring-tide clock whose hands revolve backwards,
With messages from another aeon.
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